Exhibit Overview
Organized by the Archaeological
Superintendency of Rome in collaboration with the Kelsey Museum of Archaeology
in Ann Arbor and the Istituto Centrale del Restauro, the exhibition reunites
precious fragments of Roman relief sculpture dispersed since their discovery
between the collections of the Museo Nazionale Romano (where they were designated
as the dono Hartwig or "Hartwig donation") and the Kelsey Museum.
The
fragments were discovered in 1900 and 1901 during an urban development
project in the Piazza della Repubblica (formerly the Piazza di Termini),
the site of the ancient Baths of Diocletian in Rome. Two professors of
archaeology, Paul Hartwig and Francis W. Kelsey, acquired the sculptures
and donated them, respectively, to the Museo Nazionale Romano and the
University of Michigan museum later named in Kelsey's honor.
After almost a
century of transatlantic separation, the 15 fragments were reunited in
1993 in Rome, where, in 1994, they were exhibited as an ensemble for the
first time in the new Museo Nazionale Romano at the Palazzo Massimo, a
few hundred meters from the place where they were found.
The sculptures
date to the end of the first century AD, when the Flavian dynasty ruled
the Roman Empire. This Flavian date and their place of discovery suggest
that the fragments belonged to the Templum Gentis Flaviae (Temple
of the Flavian Clan), a grandiose temple and tomb complex erected by the
emperor Domitian to glorify his imperial family.
This exhibition
presents the results of research that coupled the study and hypothetical
partial reconstruction of the lost monument with a scientific program
of conservation and replication. The latter produced a complete set of
stunningly accurate casts while successfully safeguarding the ancient
marble fragments.
The exhibition
utilizes both ancient fragments and modern casts to explore historical
and symbolic aspects of the Roman sculptures and to document the scientific
techniques employed to create the replicas.
The highly mimetic
casts are ultimately destined to be integrated with the original sculptures
in their respective museums. Here they are used to realize the proposed
reconstructions of the Templum Gentis Flaviae without committing
the ancient fragments themselves to a hypothetical installation.
The exhibition
also includes a series of photographs and illustrations that traces the
urban development of the Piazza di Termini, where the sculptures were
discovered.
A photographic
sequence and videotape follow, step by step, the innovative replication
process that produced the faithful casts, an operation carried out by
the Istituto Centrale del Restauro in the Baths of Diocletian, the original
site of the Museo Nazionale Romano delle Terme.
Copyright ©1997, 2002
Ministero per i Beni Culturali e Ambientali, Soprintendenza Archeologica
di Roma and the Kelsey Museum of Archaeology, University of Michigan.
All rights reserved.
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